Opera repertoire
Beethoven
Marzelline Fidelio
Britten
Tytania A Midsummer Night’s Dream
Flora The Turn of the Screw
Copland
Laurie The Tender Land
Donizetti
Norina Don Pasquale
Adina L’elisir d’amore
Glass
La Princesse Orphée
Gluck
Euridice Orfeo ed Euridice
Handel
Galatea Acis and Galatea
Morgana Alcina
Cleopatra Giulio Cesare
Michal Saul
Semele Semele
Seleuce Tolomeo
Almirena Rinaldo
Humperdinck
Gretel Hänsel und Gretel
Massenet
Sophie Werther
Monteverdi
Poppea L’incoronazione di Poppea
Mozart
Despina Così fan tutte
Zerlina Don Giovanni
Ilia Idomeneo
Susanna Le nozze di Figaro
Pamina Die Zauberflöte
Offenbach
Eurydice Orpheus in the Underworld
Poulenc
Constance Dialogues des Carmélites
Purcell
Belinda Dido and Aeneas
Ravel
Le feu L’enfant et les sortilèges
R. Strauss
Zdenka Arabella
Sophie Der Rosenkavalier
Verdi
Oscar Un ballo in maschera
Nannetta Falstaff
Weber
Ännchen Der Freischütz
Gilbert & Sullivan
Josephine H.M.S. Pinafore
Yum-Yum The Mikado
Mabel The Pirates of Penzance
Concert & recital repertoire
Bach
Cantata No.22, ‘Wedding Cantata’
Mass in B Minor
Brahms
A German Requiem
Carissimi
Jepthe
Fauré
Requiem
Handel
Dixit Dominus
Messiah
Haydn
The Creation
Mahler
Symphony No.4
Mozart
Coronation Mass
Great Mass in C minor
Requiem
Schubert
Mass No.2 in G major
Vivaldi
Gloria
Season Highlights
*Carnegie Hall recital debut with pianist Allen Perriello, as part of the Great Singers: Evenings of Song series.
*Mahler Symphony No 8 with the LA Philharmonic orchestra at the Hollywood Bowl, singing the Mater Gloriosa in performances conducted by Gustavo Dudamel
*Mozart’s Requiem with the New York Philharmonic
*A concert tour with Jonathan Cohen and Arcangelo performing Handel's 9 German Arias. Venues include Zankel Hall, Carnegie Hall, New York City, and Shriver Hall, Baltimore, US.
Los Angeles TimesAmong the soloists, soprano Joélle Harvey, a radiantly sublime Iphis, was the most impressive
New York TimesHow evenly weighted her liquid soprano remained across the aria’s big interval jumps. Ms. Harvey’s luminous soprano was well cast in the pastoral passages as well as in the gently lilting melody of 'How beautiful are the feet.'
Evening StandardJoélle Harvey’s Susanna is the star by some stretch — impeccably detailed, comically enchanting and finishing it all off with a stunning aria.