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About

  • “...thrilling, virtuosic and unabashedly personal” New York Times


    Makoto Ozone is a unique force in both jazz and classical music, blending sound worlds and a host of influences into his performances. Born in Kobe, Japan, he was self-taught in jazz, under his father’s guidance, first on the organ, then piano. He first came to public attention when he gave his solo recital at the Carnegie Hall in 1983, following his graduation from Berklee College of Music. Makoto then became the first Japanese artist to sign an exclusive contract with CBS and released his first album, Ozone, a year after his Carnegie debut.

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  • His stellar career in jazz, which earned him a Grammy nomination in 2003, has brought him regularly to the forefront of the international jazz scene, recording and touring with musicians such as Gary Burton, Chick Corea, Paquito D'Rivera, Anna Maria Jopek, Branford Marsalis, and others. In 2004, he formed his own big band in Japan, "No Name Horses" which has regularly toured to Europe, North America and Asia since its creation.  In more recent years, Makoto has expanded into classical repertoire, alongside his jazz engagements. Having first performed Gershwin Rhapsody in Blue in 1996, he now performs concertos by Mozart, Bernstein, Prokofiev, Shostakovich and Rachmaninov with major orchestras. Alongside his performing schedule, Makoto composes music, with over 300 pieces to his name, many for ‘No Name Horses’, as well as a symphony and piano concerto.


    In 2014, Alan Gilbert and the New York Philharmonic invited Makoto to join their Asian tour. Following this, he performed with the orchestra at the Lincoln Center, New York, in 2014 and again in 2017, from which a recording ‘Beyond Borders’ with performances of Gershwin Rhapsody in Blue and Bernstein The Age of Anxiety was released. He has collaborated with a prestigious list of conductors including François-Xavier Roth, Marin Alsop, Alan Gilbert, Carlos Miguel Prieto, Lahav Shani, Thomas Zehetmair and Charles Dutoit and orchestras including San Francisco Symphony, Sao Paulo Symphony, NDR Radiophilharmonie, Stuttgarter Philharmoniker, as well as many orchestras in Japan, such as the NHK Symphony Orchestra, Tokyo Metropolitan Orchestra and Sapporo Symphony.


    In the 2024/25 season, Ozone will make his debut with the Rundfunk-Sinfonieorchester Berlin, performing the European premiere of his own piano concerto Mogami. He will also perform with the Rotterdam Philharmonic and Lahav Shani, both in Rotterdam and at the Konzerthaus Dortmund, with the Oregon Symphony and Kevin John Edusei, and will be the featured soloist at the Philharmonie Essen for their New Year’s concert, as well as performances at Chopin and His Europe Festival in Warsaw and Melbourne International Jazz Festival.


    Recent highlights include performances with NDR Elbphilharmonie Orchestra, Los Angeles Philharmonic at Hollywood Bowl, WDR Big Band, a collaboration project with the Royal Scottish National Orchestra and Scottish National Jazz Orchestra, as well as a year-long residency with the Hangzhou Philharmonic Orchestra. Ozone collaborates with a prestigious list of conductors including Marin Alsop, Bertie Baigent, Jader Bignamini, Kevin John Edusei, Alan Gilbert, Jun Maerkl, Lahav Shani, Kahchun Wong and Kazuki Yamada.


    Makoto Ozone has an extensive discography, releasing over 30 albums under his name and as a composer in solo, duo and trio settings, as well as performing as a collaborator on many others. January 2024 saw the hugely successful release of Makoto’s latest album Trinfinity (Universal Music), featuring Shimpei Ogawa on bass and Kunito Kitai on drums.


    Makoto’s many awards include the Kinokuniya Theatre Award (2000), Kobe City Culture Award (2005), Fumio Nanri Prize (2007), Hyogo Prefecture Culture Award (2009), Art Encouragement of Education, Culture, Sports, Science Minister's Prize (2014). In 2018, Makoto received the Medal of Honour with Purple Ribbon by the Government of Japan. This is Japan’s highest award to individuals who have made significant contributions to the nation’s academic or cultural life. 

    Makoto Ozone is proudly supported by All Nippon Airways.
    2024-25 season / 621 words. Not to be altered without permission.

Performances

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Concerto repertoire

Gershwin
Rhapsody in Blue
Concerto in F                                                                                             
Second Rhapsody


Bernstein
Symphony No.2, “The Age of Anxiety”


Mozart
Piano Concerto No.6 in B-flat major, K.238
Piano Concerto No.9 in E-flat major, K.271
Piano Concerto No.12 in A major, K.414
Piano Concerto No. 23 in A major, K.488
Piano Concerto No.24 in C minor, K.491
Piano Concerto No.27 in B-flat major, K.595
Piano Concerto for 2 Pianos, K.365


Shostakovich
Piano Concerto No.1 in C minor, Op.35


Rachmaninov
Rhapsody on a Theme of Paganini, Op.43


Piano Concerto No. 2 in C minor, Op. 18


Prokofiev
Piano Concerto No.3 in C major, Op.26


Saint-Saëns
Le carnaval des animaux(2 piano reduction)


Ravel
Piano Concerto G major


Bartok
Concerto for 2 Pianos, Percussion and Orchestra


Ozone 
Piano Concerto MOGAMI

Conductors

Kazuyoshi Akiyama
Marin Alsop
Christian Arming
Andrea Battistoni
Andreas Delfs
Alan Gilbert
Sascha Goetzel
Michiyoshi Inoue
Lio Kuokman
Jun Märkl
Tadaaki Otaka
Eiji Oue
Edwin Outwater
Carlos Miguel Prieto
Pascal Rophé
François-Xavier Roth
Yutaka Sado
Lahav Shani
Leonard Slatkin
Joshua Tan
Kazuki Yamada

No Name Horses

No Name Horses is a big band led by pianist Makoto Ozone and made up of leading Japanese jazz musicians, most of whom are band-leaders in their own right. No Name Horses was formed in March 2004, for the CD recording of Kimiko Ito’s album Once You’ve Been In Love (Video Arts Music), produced by Makoto Ozone. Although the band was initially a temporary ensemble, brought together for the recording, Makoto was convinced that the quality of the band’s sound was of a worldwide level and in March 2005, No Name Horses and Kimiko Ito did the one-month tour at Blue Note jazz clubs all over Japan, celebrating the release of the album.

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Stephen Lumsden
Chief Executive
+44 20 7608 9900

Lucy Saunders
Senior Artist Manager
+44 20 7608 9936
lsaunders@intermusica.com

Eleanor Philpott
Associate Artist and Project Manager, imagine
+44 20 7608 9918
ephilpott@intermusica.com