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Caspar Singh

Tenor

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Wagner TRISTAN UND ISOLDE / Glyndebourne Opera

"The role of the young sailor and shepherd were played by English/Indian tenor Caspar Singh who impressed me with his sweet, lyric tenor voice, imbued as it was with a wonderful timbre and clarity."
Mike Hardy, Operawire (2 August 2024)

"Caspar Singh gets the first act off to a memorable start with his thrillingly sung Young Sailor’s Song, later doubling as the Shepherd who, in the final act, brings Kurwenal reports of any sign of Isolde’s ship arriving."
George Hall, The Stage (30 July 2024)

Britten A MIDSUMMER NIGHT'S DREAM / Glyndebourne Festival

"When anger erupts among the drugged lovers (an excellent quartet of Caspar Singh, Rachael Wilson, Samuel Dale Johnson and Lauren Fagan), there is an alarming degree of vitriol in their voices and body language."
Richard Morrison, The Times (3 July 2023)

"Caspar Singh and Samuel Dale Johnson – towering over the ladies – were ardent suitors, both in noble voice"
Mark Pullinger, Bachtrack (2 July 2023)

Wagner DER FLIEGENDE HOLLÄNDER / Komische Oper, Berlin

"Caspar Singh is a wonderfully lyrical Steuermann, with a fresh tenor, clean, slender top tones and beautiful piani."
Dr. Ingobert Waltenberger, Online Merker (November 2022)

Wagner LOHENGRIN / Bayerische Staatsoper, Munich

“Lastly, the four noble Brabanters show as always the excellence of the supporting roles at the Bayerische Staatsoper, and deserve to be cited: Caspar Singh, George Virban, Oğulcan Yılmaz, Markus Suihkonen”.
Guy Cherqui, Wanderer (December 2019)

Strauss CAPRICCIO / Garsington Opera

“The Italian singers, Nika Gorič (soprano) and Caspar Singh (tenor) relished the straight-faced parody of their bel canto divertissement, and offered a playful counterpart to the company’s philosophising”
Claire Seymour, Opera Today (June 2018)

“The Italian singers, in the persons of Nika Gorič and Caspar Singh, gave perfect examples of their director’s favourite art.”
Melanie Eskenazi, Music OMH (June 2018)

Britten A MIDSUMMER NIGHT'S DREAM / Garsington Opera

"Caspar Singh and James Newby could hardly be bettered as Lysander and Demetrius."
Richard Fairman, Financial Times (17 June 2024)

"Caspar Singh's vital Lysander draws energy from his lithe tenor"
George Hall, The Stage (17 June 2024)

"The four lovers were all very good too, the pick of this particular evening the Lysander of Caspar Singh"
Roy Westbrook, Bachtrack (17 June 2024)

"The quartet of lovers — Caspar Singh’s Lysander, Camilla Harris’s Helena, James Newby’s Demetrius and Stephanie Wake-Edwards’s Hermia - are superb"
Neil Fisher, The Times (17 June 2024)

"Caspar Singh and James Newby both displayed fine voices as Lysander and Demetrius"
Mark Pullinger, Opera Now (18 June 2024)

Mozart COSI FAN TUTTE / Komische Oper, Berlin

"Tenor Caspar Singh as Ferrando exhibited a beautiful and expressive voice, full of delicate colors in the aria Un ' aura amorosa , generously phrased and delightfully varied in the da capo . Singh also brilliantly mastered the cavatina Tradito, schernito displaying the proper expression of agitated inner disturbance."
Bernd Hoppe, Scherzo (16 March 2023)

"Regarding the casting, Caspar Singh is truly commanding as Ferrando, lending his arias an apparent ease worthy of the greatest virtuosos. His interpretation of the aria Un aura amorosa was extraordinary, his voice admirably implementing all the required affects with the right tone."
Gabriel Beauvallet-Bauchet, Baroquiades.com (15 March 2023)

"Only the tenor Caspar Singh as Ferrando caught the eye, especially with the extraordinarily cultivated performance of his aria "Un aura amorosa""
Dieter David Scholz, nmz online (13 March 2023)

"Caspar Singh is fantastic as Ferrando"
Kai Luehrs-Kaiser, RBB Kultur (12 March 2023)

"With his beautifully guided tenor, Caspar Singh is convincing as Dorabella's fiancé Ferrando."
Volker Blech, Berliner Morgenpost (12 March 2023)

"The friends Guglielmo and Ferrando are sung very well by Hubert Zapior and Caspar Singh, their respective arias are excellent."
Peter Sommeregger, Klassik begeistert (12 March 2023)

"The young Caspar Singh gives Ferrando expression and depth with his shapely and vulnerable tenor voice."
Achim Dombrowski, Opera Online (12 March 2023)

Verdi FALSTAFF / Komische Oper, Berlin

"Penny Sofroniadou's Nannetta is delightfully sublime, and her lover is finely tenored by the tall Caspar Singh (well worth listening to and one of the best today)."
Schlatz, Opern- & Konzertkritik Berlin (November 2022)

"Along with Caspar Singh as Fenton, that was the vocal highlight of the evening. Singh comes from the Bavarian State Opera, where he first belonged to the opera studio and since 2020/21 to the ensemble, in 2022 he switched to the Komische Oper. So he's new too, at two meters tall in Katrin Lea Tag's costume, he looks like a young Christopher Reeve in Deathtrap. So perfect. And he sings his sonnet with enchanting mellowness, even if Nánási doesn't span any lyrical arcs for him on which this "canto estasiato" becomes an experience of languor. But there is obviously a lot of potential for the future."
Kevin Clarke, Klassik.com (October 2022)

Handel MESSIAH / Staatstheater am Gärtnerplatz, Munich

“Worthy of highlighting is Caspar Singh. The tenor jumped in at short notice for Alexandros Tsilogiannis (who walked his part on the stage). From the orchestra pit, his smooth lyrical voice rises to every height; his words sung with conviction and clarity.”
Helmut Pitsch, Opera Online (October 2019)

“As a step-in for the indisposed Alexandros Tsilogiannis, Caspar Singh was brought from the opera studio at the Staatsoper. His astonishingly well-formed tenor, already well-developed beyond Baroque repertoire, demonstrates what a great catch the sister theater on Max-Joseph-Platz has snagged”
Markus Thiel, Münchner Merkur (October 2019)

“Tenor Alexandros Tsilogiannis has no voice so only acts his part. His voice is lent to him from the orchestra pit by Caspar Singh from the opera studio of the Bayerische Staatsoper “next door”. It’s a pity for Tsilogiannis, but as a viewer and listener I personally think the two mastered the difficult situation perfectly”
Andreas Schmidt, Klassik begeistert (October 2019)

Handel HERCULES / Komische Oper Berlin

"Tenor Caspar Singh gave a stylistically flawless portrayal as an intrinsically shy son of strong-willed parents."
Zenaida des Aubris, Bachtrack (6 March 2024)

"Ensemble member at the Hagen Theater and wonderful British tenor Caspar Singh offered the most mature and vocally rousing performances of the evening, both stylistically flawless and convincingly acted. Iole’s “My father! Uh! methinks I see”, “My breast with tender pity swells”, Hyllus' “Let not fame the tidings spread” and the duet between the two at the end of the third act were delicacies of finely crafted baroque singing. You should remember both of them."
Dr. Ingobert Waltenberger, Online Merker (4 March 2024)

"His son Hyllus is played by Caspar Singh with a strong tenor and confident vocal delivery and gives format to the character, who is rather pale in the play."
Peter Sommeregger, klassik-begeistert.de (4 March 2024)

"The director had assigned the tenor role to Caspar Sing as the rather weak son Hyllus, who was completely in the shadow of his father. ... The ensemble member, who can still be seen in various roles this season, carried out his task with grace and skill."
Ingrid Wanja, Der Opernfreund (4 March 2024)

Handel MESSIAH / Royal Liverpool Philharmonic Orchestra

"Featuring four of the finest singers in Europe on the solos ... the marriage between musicians, choristers and soloists is truly harmonic. Following the orchestral intro, tenor Caspar Singh opens the work of the soloists with Comfort Ye and Every Valley. Demonstrating a strong command of the music and good vocal technique, he captivates the audience with the roundness of his tone."
Ezzy LaBelle, North West End UK (7 January 2023)

Thomas MIGNON / Bayerische Staatsoper, Munich

"Caspar Singh as Wilhelm Meister shows not only here that he has a beautiful timbre with soft piani, but also striking highs.”
Susanne Kittel-May, Online Merker (September 2020)

"Caspar Singh, who sings his ludicrous part effortlessly, is as Wilhelm Meister an intellectual who is fascinated by theater life and especially the artists, who knows for sure that he will never belong to the travelling people."
Reinhard J. Brembeck, Süddeutsche Zeitung (September 2020)

"Caspar Singh not only looks like an intellectual who sniffs the air on stage, he also sings the music with a slim, bright tenor that is ideal for French operas."
Robert Braunmüller, Abendzeitung-München (September 2020)

Haydn DIE SCHÖPFUNG/ Bayerische Staatsorchester

"Archangel Uriel (Caspar Singh) let the sun gently ascend with a beautiful, velvety tenor voice, “In vollem Glanze steiget jetzt die Sonne strahlend au.”
Regina Wahl-Geiger, Münchner Merkur (July 2019)

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Intermusica represents Caspar Singh worldwide

Camilla Wehmeyer

Associate Director, Vocal & Opera

+44 7973 614630

cwehmeyer@intermusica.com

Mary Donald

Associate Artist Manager, Vocal & Opera

mdonald@intermusica.com

All artists

Chansonnier

HK Gruber

Counter-tenor

Tim Mead

Harpsichord

Richard Egarr

Piano accompanist

Roger Vignoles

Saxophone

Jess Gillam

Contralto

Avery Amereau