Opera Repertoire
Giorgio Battistelli
Martha Wake
Bizet
Micaëla Carmen
Britten
Ellen Orford Peter Grimes
Governess The Turn of the Screw
Helena A Midsummer Night’s Dream
Charpentier
Title Role Louise
Donizetti
Adina L'elisir d'amore
Handel
Angel/Mary Magdalene La resurrezione
Armida Rinaldo
Cleopatra Giulio Cesare
Ginevra Ariodante
Nitocris Belshazzar
Title Role Alcina
Title Role Rodelinda
Janáček
Fox The Cunning Little Vixen
Monteverdi
La Musica Orfeo
Poppea L'incoronazione di Poppea
Mozart
Fiordiligi Così fan tutte
Pamina Die Zauberflöte
Donna Anna/Donna Elvira Don Giovanni
Countess Le Nozze di Figaro
Purcell
Belinda/Dido Dido and Aeneas
Puccini
Liù Turandot
Magda La Rondine
Mimí/Musetta La bohème
Stravinsky
Anne Trulove The Rake’s Progress
Concert Repertoire
Bach
B Minor Mass
Magnificat
St Matthew Passion
Beethoven
Symphony No.9
Britten
Les Illuminations
Faure
Requiem
Handel
Alexander’s Feast
Messiah
Angelica Orlando
Iphis Jeptha
Merab Saul
Title role Theodora
Haydn
The Creation
Nelson Mass
Mahler
Symphony No.4
Mozart
C Minor Mass
Requiem
Pergolesi
Stabat Mater
Vaughan Williams
Serenade to Music
Vivaldi
Vagaus Juditha triumphans
The Spectator, March 2023The vengeful Armida could be heard – faintly at first in the heights of the church, then swooping down, voice blazing. Nardus Williams was the soloist here, and she just gets better and better.
The Guardian, October 2022Nardus Williams, a soprano with a growing reputation and boundless appeal, returned as the Countess, with requisite dignity, grace and fire.
The Times, June 2021The cut-through moments come from Williams, who sings her two arias with a knockout combination of melting vulnerability and lustrous ardour. In the sort of show that will gather pep as the run continues, she is already fully launched.