Concert repertoire
Bach, C.P.E.
Magnificat
Bach, J.S.
Cantatas
Christmas Oratorio
Magnificat
Mass in B minor
St. John Passion
St. Matthew Passion
Bernstein
Chichester Psalms
Dusapin
La Melancholia
Handel
Alexander’s Feast
Dixit Dominus
Esther
Israel in Egypt
Messiah
Jeptha
Joseph and his Brethren
Judas Maccabaeus
Samson
Saul
Solomon
Susanna
Theodora
Orff
Carmina Burana
Pergolesi
Stabat Mater
Porpora
Salve Regina
Vivaldi
Gloria
Nisi Dominus
Stabat Mater
Opera repertoire
Benjamin
Angel 1/The Boy Written on Skin
Harrison Birtwistle
Innocent 5 The Minotaur
Britten
Oberon A Midsummer Night’s Dream
Voice of Apollo Death in Venice
Cavalli
Endimione La Calisto
Paggio & Ombra di Bussiride Ercole Amante
Casken
Ometh Golem
Glass
Title role Akhnaten
Gluck
Orfeo Orfeo ed Euridice
Handel
Title role Admeto
Ottone Agrippina
Title role Ezio
Title role Flavio
Cesare & Tolomeo Giulio Cesare
Idelberto Lotario
Title role Orlando
Title role Riccardo Primo
Title role Rinaldo
Bertarido Rodelinda
David Saul
Athamas Semele
Title role Siroe
Melo Sosarme
Andronico Tamerlano
Monteverdi
Pastore Orfeo
Ottone L’incoronazion di Poppea
Mozart
Farnace Mitridate
Philips, Julian
Jalal Varjak Paw
Steffani
Clearte Niobe
Vivaldi
Licida L’Olimpiade
The Arts Desk"Countertenor Tim Mead produced ravishing sounds - none better in the business"
St Louis Post-DispatchThe cast is headed by the extraordinary British countertenor Tim Mead. Tall and handsome, Mead has an amazing technique, and an unusually full sound, with a real core to it. His coloratura was spectacular, his acting convincing, and he brought down the house on Sunday night.
Seen and Heard InternationalHere was the sort of counter-tenor one only dreams about: laser-like pitching and tone, yet not uncomfortably acid sounding and capable of huge emotion... Mead rose magnificently to the challenge, with the aria, 'Sweet rose and lilly' perhaps demonstrating his art at its height.