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Paula Murrihy

Mezzo-soprano

  • Irish Mezzo-Soprano Paula Murrihy enjoys a busy career working at the highest level in both Europe and the US. Previously a member of Oper Frankfurt’s acclaimed ensemble, her many roles in Frankfurt include Dido in Purcell’s Dido and Aeneas, Lazuli in Chabrier’s L’étoile, Octavian in Strauss’s Der Rosenkavalier, Medoro in Vivaldi’s Orlando Furioso, creating the role of Carmen in Barrie Kosky’s iconic production of Bizet’s opera, and most recently, Dejanira in Handel’s Hercules. Murrihy received her Bachelor of Music from DIT Conservatory of Music and Drama in Dublin before continuing her studies in North America at the New England Conservatory. She also participated in the Britten-Pears Young Artist Programme, San Francisco Opera’s Merola Program and as an apprentice at Santa Fe Opera.

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  • Murrihy opens her 2025/26 season at the Gran Teatre del Liceu, Barcelona as Fox in Barrie Kosky’s production of Janáček's The Cunning Little Vixen conducted by Josep Pons. Other opera highlights of the season include Ariane in Dukas’s Ariane et Barbe-Bleu at the Teatro Real, Madrid and the role of Euryale in the world premiere of a newly commissioned opera Medusa at the Théâtre Royal de la Monnaie, Brussels, composed by Iain Bell and directed by the opera’s librettist Lydia Steier. On the concert platform, Murrihy performs Mahler’s Lieder einies fahrenden Gesellen with the Hessisches Staatsorchester Wiesbaden conducted by Leo McFall, she sings Goffredo in Handel’s Rinaldo on tour to China and South Korea with The English Concert and Harry Bicket, and performs La vierge Marie in Berlioz’s L’Enfance du Christ in Glasgow and Edinburgh with the Scottish Chamber Orchestra conducted by Maxim Emelyanychev. She also performs arias from Bach’s St Matthew Passion and Handel’s Messiah with the Orchestre symphonique de Montréal conducted by Kent Nagano and sings the title role in Handel’s Serse with the Academy of Ancient Music and Laurence Cummings. Future plans include returns to Oper Frankfurt, La Monnaie and the Royal Opera & Ballet, Covent Garden.


    Notable operatic highlights of recent seasons include Waitress in a new production of Kaija Saariaho's Innocence at the Semperoper Dresden, both Fox in The Cunning Little Vixen and Prince Charmant in Massenet’s Cendrillon for the Opéra de Paris, Komponist in Strauss's Ariadne auf Naxos at the Gran Teatre del Liceu, Barcelona, Octavian in Der Rosenkavalier for Santa Fe Opera, Donna Elvira in Mozart’s Don Giovanni at the Royal Ballet & Opera, Covent Garden, title role Ariodante at Moscow’s Bolshoi Theatre, Stéphano in Gounod’s Roméo et Juliette at the Metropolitan Opera, Idamante in Handel’s Idomeneo at the Salzburg Festival, Sesto and Octavian for Dutch National Opera, Nicklausse and Muse in Offenbach’s Les Contes d’Hoffmann at the Palau de les Arts, Valencia and both Octavian and title role Carmen for Irish National Opera.


    Murrihy tours extensively on the concert platform. She works regularly with Harry Bicket and The English Concert, last season performing Sesto in Handel's Giulio Cesare on tour to the US and at London’s Barbican. Other concert appearances include Mysliveček’s oratorio Abramo ed Isacco with Collegium 1704 on tour to Prague, Dresden and Amsterdam and at the Salzburg Festival, Mozart’s Requiem with the Camerata Salzburg and in Chicago with Music of the Baroque, both conducted by Jane Glover. She has performed Didon on a European tour of Berlioz’s Les Troyens with the Monteverdi Choir and Orchestre Révolutionnaire et Romantique, conducted by Dinis Sousa, closing with a performance at the BBC Proms. She has toured Bach’s St John Passion with the Orchestra of the Age of Enlightenment and has collaborated with MusicAeterna and Teodor Currentzis, with performances including Così fan tutte, Le nozze di Figaro, Purcell’s Indian Queen, Pergolesi’s Stabat Mater, Mahler’s Kindertotenlieder and Das Knaben Wunderhorn and Hindemith’s Die Junge Magd.


    Additional concert highlights include Mahler’s Das Lied von der Erde at the Tiroler Festspiele Erl, Stravinsky’s Pulcinella with the RTÉ Symphony Orchestra, Handel’s Messiah with the Orchestre de Chambre de Paris, Haydn’s Paukenmesse at the BBC Proms, Berlioz's Les Nuits d'Été with the Irish Chamber Orchestra, Mendelssohn’s Elijah with the Spanish National Orchestra and Netherlands Radio Philharmonic Orchestra, Bach’s Christmas Oratorio with the Scottish Chamber Orchestra, Handel’s Solomon, Alexander’s Feast and Honneger’s Judith for the Nederlandse Programma Stichting and Beethoven’s Missa Solemnis with the London Philharmonic Orchestra. In the United States she has worked with the Boston Symphony Orchestra, where she premiered John Harbison’s Symphony No. 6, the Philadelphia Orchestra for Messiah, the North Carolina Symphony Orchestra for Beethoven’s Symphony No. 9, the Handel and Haydn Society in Boston as Cherubino in Le nozze di Figaro and Juno/Ino in Semele and the St Paul Chamber Orchestra in performances of Bach’s St Matthew Passion.


    An accomplished recitalist, Murrihy has given performances at the Wigmore Hall with both Malcolm Martineau and Sholto Kynoch, at Boston’s Jordan Hall, the Aldeburgh Festival, the Oxford Lieder Festival, at Oper Frankfurt and at the Diaghilev Festival in Perm. In 2020 she released her debut solo album I will walk with my love with American pianist Tanya Blaich for Orchid Classics. The recording explores folk inspired songs and myths and features works by Brahms, Mahler, Debussy and Grieg, as well as traditional Irish folksong.

    2025/26 season / 856 words. Not to be altered without permission.

Performances

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Concert repertoire

BACH
Mass in B Minor
Christmas Oratorio
St John Passion
St Matthew Passion
Easter Oratorio
Ascension Oratorio​


BEETHOVEN
Missa Solemnis
Symphony No. 9​


BERLIOZ
Les nuits d'été​


HANDEL
Messiah
Alexander’s Feast
Semele
Solomon​


HARBISON
Symphony No. 6​


HAYDN
Harmoniemesse
Missa in Tempore Belli
Paukenmesse​


HILLIER
The Destruction of Jerusalem  


HONNEGER
Judith


MAHLER
Das Knaben Wunderhorn
Das Lied Von der Erde
Lieder Eines Fahrenden Gesellen 


MENDELSSOHN
Elijah ​


MOZART
Requiem


PERGOLESI
Stabat Mater​


ROSSINI
Petite Messe Solennelle
Stabat Mater​


SCHUBERT
Mass in C​


VIVALDI
Gloria

Opera repertoire

BARTÓK
Bluebeard’s Castle (Judith)​


BERG
Lulu (Graefin Geschwitz) *in preparation


BERLIOZ
Béatrice et Bénédict (Béatrice)
Benvenuto Cellini (Ascanio)​​
La Damnation de Faust (Marguerite)
Les Troyens (Didon)


BIZET
Carmen (Carmen)​


BRITTEN
Albert Herring (Nancy)
Gloriana (Frances Countess of Essex)​


CAVALLI
La Calisto (Diana)​


CESTI
Orontea (Orontea)​


CHABRIER
L’etoile (Lazuli)
Une Education Manquée (Helene)​


CORIGLIANO
Ghosts of Versailles (Cherubino)​


DE FALLA
El Corregidor Y La Molinara​


DONIZETTI
Lucia Di Lammermoor (Alisa)​


DUKAS
Ariane et Barbe-Bleue (Ariane)


FAURÉ
Pénélope (Pénélope)​


GLUCK
Ezio (Fulvia)​
Iphigenie (Iphigenie) *in preparation


GOUNOD
Roméo Et Juliette (Stéphano)​


HANDEL
Agrippina (Agrippina) *in preparation
Alcina (Ruggiero)
Ariodante (Ariodante)
Hercules (Dejanira)
Ottone (Ottone)
Radamisto (Polissena)
Semele (Juno/Ino)
Xerxes (Xerxes, Amastre)​


HUMPERDINCK
Hänsel Und Gretel (Hänsel)​


JANACEK
The Cunning Little Vixen (Fox)


MASSENET
Cendrillon (Prince)


MONTEVERDI
Orfeo (Messagiera) 

MOZART
Cosi Fan Tutte (Dorabella)
La Clemenza Di Tito (Annio)
Die Zauberflöte (2nd Lady)
Le Nozze Di Figaro (Cherubino)​


OFFENBACH
Les Contes D’hoffmann (Nicklausse)​


PASATIERI
Hotel Casablanca (Lucy Perez)​


PROKOFIEV
The Gambler (Blanche)​


PUCCINI
La Rondine (Suzy)​


PURCELL
Dido & Aeneas (Dido)
The Indian Queen (Teculihuatzin)​


RAVEL
L’enfant Et Les Sortileges (La Chatte/ L’Ecureuil)
L’heure Espagnole (Concepción)​


ROSSINI
Il Viaggio A Reims (Maddalena)​


SAARIAHO
Innocence (Waitress)


J. STRAUSS
Die Fledermaus (Orlofsky)​


R. STRAUSS
Ariadne auf Naxos (Komponist)
Der Rosenkavalier (Octavian)


STRAVINSKY
The Rake’s Progress (Baba the Turk)​


SUSA
Transformations (Good Witch)​


VERDI
Don Carlo (Tebaldo)
Falstaff (Meg Page)
La Traviata (Flora)

"Murrihy's ease in moving between white-note slivers of sound and a vibrato that's full and impassioned but never over-spread, plus a top that any soprano might envy, established itself at the beginning of Debussy's Chansons de Bilitis... Perfect song programme, perfect pianist, perfect singer."

David Nice, The Arts Desk, May 2024

"A triumph for the singer. You hardly suspect the magnificently expressive reserves behind her cool chrome-plated mezzo - and are all the more impressed."

Kai Luehrs-Kaiser, RBB Kultur, March 2024

"Her phenomenal performance, full of devotion to the role and with the most insanely masterful embellishments, precisely sung and endowed with so many dimensions it took your breath away. The voice is ... one that conveys all the nuances of sadness, joy, anger, despair and madness."

Ingrid Wanja, Der Opernfreund, March 2024

Intermusica represents Paula Murrihy worldwide

Camilla Wehmeyer
Associate Director, Vocal & Opera
+44 7973 614630
cwehmeyer@intermusica.com

Mary Donald
Associate Artist Manager, Vocal & Opera
+44 20 7608 9935
mdonald@intermusica.com

All artists

Contralto

Avery Amereau

Actor / Narrator

Amira Casar

Chansonnier

HK Gruber

Harpsichord

Richard Egarr

Piano accompanist

Roger Vignoles