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Olivia Boen

Soprano

  • American soprano Olivia Boen is quickly gaining momentum for the “sun-streaked top of her register” (Chicago Tribune) and “full-bodied, sparkling tone” (Cleveland Classical) on operatic, concert, and recital stages alike.


    The 24/25 season has seen Olivia make a number of notable house and role debuts, including a highly acclaimed performance as Alice in Verdi Falstaff at Opéra national de Paris and Fiordiligi in Mozart Così Fan Tutte for Detroit Opera. Elsewhere Olivia makes a trio of Mozart role debuts for the Staatsoper Hamburg: Servilia in La clemenza di Tito, Pamina in Die Zauberflöte and Sifare in Mitridate, re di Ponto. In the 25/26 season Olivia will return to Opéra national de Paris.

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  • Until the 23/24 season, Olivia was a member of the Opernstudio at the Staatsoper Hamburg, where she sang Gretel in Humperdink Hänsel und Gretel, Musetta in Puccini La bohème and Anna in Nabucco, in addition to creating the roles of Xenia in Frank Castorf’s new production of Mussorgsky Boris Godunov and Inez in Immo Karamon’s new production of Verdi Il Trovatore. On the concert platform, Olivia's recent and upcoming plans include the title role Schumann Das Paradies und die Peri at the Elbphilharmonie Hamburg, Rossini Stabat Mater with BBC National Orchestra of Wales, Britten Les Illuminations with the Orquesta Sinfónica de Castilla y Leon, Mahler Symphony No. 4 with the Bournemouth Symphony Orchestra cond. by Mark Wigglesworth, Gretel Hänsel und Gretel in a concert performance with the BBC Philharmonic Orchestra cond. Sir Andrew Davis, Beethoven ‘Ah, Perfido!’ with the Royal Philharmonic Orchestra, Annina La Traviata in concert performances at the Philharmonie Paris with Le Cercle de l'Harmonie and Dvořák Stabat Mater with the Grant Park Music Festival. 


    In 2019, Olivia made her European debut at the Verbier Festival under the baton of Valery Gergiev as Die Stimme des Falken in Strauss Die Frau Ohne Schatten and as Erste Dame in Mozart Die Zauberflöte with Stanislav Kochanovsky. Other roles include Countess Susanna in Wolf-Ferrari Il Segreto di Susanna, Queen Mother in Jonathan Dove The Little Green Swallow, the title roles in Handel Alcina and Serse, and Poulenc Les Mamelles de Tirésias, Lauretta in Puccini Gianni Schicchi and has covered Donna Anna in Mozart Don Giovanni.


    A keen recitalist, Olivia has given recitals at Wigmore Hall, St. Martin-in-the-Fields, the London Song Festival, Opera Holland Park, the Verbier Festival, LSO St. Luke’s, the Dame Myra Hess Recital Series, the Ravinia Festival and toured with the Oxford International Song Festival. Olivia has collaborated on outreach projects with the London Symphony Orchestra and Opera Holland Park, was a member of the Wigmore Hall French Song Exchange led by Dame Felicity Lott and François le Roux, was a Samling Artist, a 2021 City Music Foundation Artist and a Steans Music Institute vocal fellow at the Ravinia Festival.


    Olivia was awarded the English Song Prize from the London Song Festival in 2019, first place (Lynne Cooper Harvey Foundation Award) of the Musicians Club of Women Competition in 2018, a grant from the Frank Huntington Beebe Fund for Musicians in 2018, and first place at the Tuesday Musical Competition in 2017.


    Olivia trained at the Oberlin Conservatory of Music and the Guildhall School of Music and Drama, where she was a 2021 Gold Medal finalist, and has completed additional training at Opera Theatre of Saint Louis, Verbier Festival, Internationale Meistersinger Akademie and the Ravinia Steans Music Institute.

    2024/25 season / 559 words. Not to be altered without permission.

Performances

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Opera roles

Vixen, Cunning Little Vixen
Marguerite, Faust
Micaela, Carmen
Governess, Turn of the Screw
Helena, Midsummer Night's Dream
Iolanta, Iolanta
Fiordiligi, Così
Countess, Nozze
Donna Anna, Don Giovanni
Alcina, Alcina
Armida, Rinaldo
Angelica, Orlando
Rodelinda, Rodelinda
Ginevra, Ariodante

"Boen’s breathtakingly robust low extension is the stony foundation of Fiordiligi’s resistance in her athletic “Come scoglio,” while her frequent, ringing upper passage work adorns the musical landscape like a magnolia in full bloom; her delicately touching “Per pietà, ben mio perdona” is, in itself, a convincing argument for the value of opera."

Classicalvoiceamerica.org

"…Olivia Boen's Alice Ford , a beginner, if I am not mistaken, both in the role and in the house. Her beautiful line, crowned by a high note that is foolproof, stands out from the quartet of Act I, and her percussive accent shines in all its brilliance when launching the challenge in Act II, while her story in Act III is enriched with intoxicating variations of color, notably by intelligently exploiting the notes at the bottom of the register."

Premiereloge-opera.com

Intermusica represents Olivia Boen worldwide.

Natasha Worsley
Associate Director, Vocal & Opera
+44 (0) 7870 979 794
nworsley@intermusica.com

Billie Allin
Assistant Artist Manager, Vocal & Opera
+44 20 7608 9903
ballin@intermusica.com

All artists

Chansonnier

HK Gruber

Contralto

Avery Amereau

Harpsichord

Richard Egarr

Piano accompanist

Roger Vignoles