In concerts around the world Midori transfixes audiences, bringing together graceful precision and intimate expression. Midori has performed with, among others, the London, Chicago, and San Francisco Symphony Orchestras; the Sinfonieorchester des Bayerischen Rundfunks; the Berlin and Vienna Philharmonics; the Mahler Chamber Orchestra; and Festival Strings Lucerne. She has collaborated with such outstanding musicians as Claudio Abbado, Emanuel Ax, Leonard Bernstein, Jonathan Biss, Constantinos Carydis, Elim Chan, Christoph Eschenbach, Daniel Harding, Paavo Järvi, Mariss Jansons, Yo-Yo Ma, Susanna Mälkki, Joana Mallwitz, Antonello Manacorda, Zubin Mehta, Donald Runnicles, Jean-Yves Thibaudet and Omer Meir Wellber.
Midori’s 24/25 season opens with performances at the Aspen Music Festival, Tanglewood Music Festival, Hollywood Bowl and Edinburgh International Festival. This season sees her return to the Vienna Philharmonic to play Prokofiev’s Violin Concerto No. 1 at the Musikverein and Wiener Konzerthaus followed by a major tour with the orchestra to Korea and Japan. She will also embark on tours with Orchestre de la Suisse Romande to Spain and Bundesjugendorchester around Germany including a final concert at the Philharmonie Berlin. Further concerto highlights include appearances with Deutsches Symphonie-Orchester Berlin under Marie Jacquot, Seattle Symphony under Anja Bihlmaier and Gürzenich Orchestra under Joshua Weilerstein. Midori will also embark on recital tours across Europe and North America.
Midori’s diverse discography includes the 2020 recording with the Festival Strings Lucerne of Beethoven’s Violin Concerto and two Romances on Warner Classics; recordings on Sony Classical, Ondine and Onyx include the music of Bloch, Janáček and Shostakovich and a Grammy Award-winning recording of Hindemith’s Violin Concerto with Christoph Eschenbach conducting the NDR Symphony Orchestra as well as Bach’s Sonatas and Partitas for Solo Violin filmed at Köthen Castle for Accentus. Marking the 40th anniversary of her professional debut, Midori released a landmark recording of Beethoven sonatas performed with Jean-Yves Thibaudet (Warner Classics).
Deeply committed to furthering humanitarian and educational goals, she has founded several non-profit organizations. Midori & Friends, now with over 30 years of service, provides music programs for New York City youth and communities, and MUSIC SHARING, a Japan-based foundation, brings both western classical and Japanese music traditions to children and adults in Japan and throughout Asia by presenting programs in schools, institutions, and hospitals. For her Orchestra Residencies Program (ORP), Midori commissioned composer Derek Bermel to write a new piece, “Spring Cadenzas,” which was premiered (mostly virtually) by student orchestras in 2021 and continues to be performed by ORP participants. Through Partners in Performance (PiP), Midori co-presents chamber music concerts around the U.S., focusing on smaller communities that are outside the radius of major urban centres and have limited resources. In 2022, Midori appeared in Carnegie Hall’s benefit Concert for Ukraine.
In recognition of her work as an artist and humanitarian, she serves as a United Nations Messenger of Peace. She participated in a panel discussion, hosted by The Peace Studio, about what music can teach us about peaceful communication, alongside Joyce DiDonato and Wynton Marsalis; she delivered the Kim and Judy Davis Dean’s Lecture in the Humanities at the Harvard Radcliffe Institute (about non-profit leadership and volunteering); and she was awarded the Asian Cultural Council’s John D. Rockefeller 3rd Award for her contributions to the field of arts and cultural exchange. In 2022, Midori was also awarded the Brahms Prize by the Schleswig-Holstein Brahms Society. In recognition of her lifetime of contributions to American culture, Midori is a recipient of the Kennedy Center Honors and was celebrated by Yo-Yo Ma, Bette Midler and John Lithgow, among others, during the May 2021 Honors ceremonies in Washington, DC.
Midori was born in Osaka in 1971 and began her violin studies with her mother, Setsu Goto, at an early age. In 1982, conductor Zubin Mehta invited the then 11-year-old Midori to perform with the New York Philharmonic in the orchestra’s annual New Year’s Eve concert, where the foundation was laid for her following career. Midori is the Dorothy Richard Starling Chair in Violin Studies at the Curtis Institute of Music in Philadelphia and is a Distinguished Visiting Artist at the Peabody Institute of the Johns Hopkins University. Midori is the newly appointed Artistic Director of Ravinia Steans Music Institute’s Piano & Strings program, overseeing the programme since summer 2024.
Midori plays the 1734 Guarnerius del Gesù ‘ex-Huberman’. She uses four bows – two by Dominique Peccatte, one by François Peccatte and one by Paul Siefried.
2024/25 season / 771 words. Not to be altered without permission.