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Eri Nakamura

Soprano

  • Japanese soprano Eri Nakamura first shot to prominence as a Jette Parker Young Artist when she stepped in to replace Anna Netrebko as Giulietta I Capuleti e i Montecchi at the Royal Opera House, Covent Garden. Since then she has made notable debuts in Europe, Asia, North and South America, capturing worldwide acclaim for her assured singing and artistic intensity.

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  • During the 2024/25 season, Nakamura debuts with the Canadian Opera Company as Cio-Cio San Madama Butterfly, sings Amelia Un ballo in maschera at Suntory Hall, and appears in concert with the Orquesta Filarmónica de Gran Canaria (Karel Mark Chichon), Japan Philharmonic Orchestra (Leonard Slatkin) and for the Latvian National Opera.


    Last season, she made her debut appearances with the Royal Swedish Opera (Cio-Cio San) and English National Opera (7 Deaths of Maria Callas) and sang her first Amelia Simon Boccanegra with The Hallé conducted by Sir Mark Elder. Recent highlights also include her role debut as Cio-Cio San at the New National Theatre, Tokyo, later performing the same role in her return to the Royal Opera House, Covent Garden and in concert with The Hallé, her first Magda La Rondine at Biwako Hall, and the role of Hanako in Toshio Hosokawa’s Hanjo with the Catapult Opera of New York and Fondazione Haydn di Bolzano.


    For the ROH, she performed Musetta La bohème, Frasquita Carmen, Lauretta Gianni Schicchi and Giulietta I Capuleti e i Montecchi as Jette Parker Young Artist, and returned as guest to sing Susanna Le nozze di Figaro (Sir Colin Davis), Sophie Werther (Sir Antonio Pappano) and Liù Turandot. As ensemble member with the Bayerische Staatsoper, her many roles included Adina L’elisir d’amore, Gretel Hänsel und Gretel, Susanna, Pamina Die Zauberflöte, Zerlina Don Giovanni and Liu, and she has also appeared with the Wiener Staatsoper, Deutsche Oper Berlin, Opera de Oviedo, New National Theatre, Tokyo, Théâtre du Capitole Toulouse, Teatro Municipal de Santiago de Chile and Washington National Opera.


    On the concert platform, recent highlights include Beethoven Symphony No. 9 with the Japan, Osaka and Tokyo Philharmonic orchestras, Mahler Symphony No.4 and Rossini Stabat Mater with the London Philharmonic Orchestra (Yannick Nézet-Séguin), St Cecilia Mass with Orchestre National de France (Alain Altinoglou), Woglinde Das Rheingold with the Hong Kong Philharmonic Orchestra (Jaap van Zweden), Dvorak Stabat Mater with the Czech Philharmonic, Ravel Shéhérazade with the Estonian National Symphony Orchestra, and appearances with the Tokyo Metropolitan Symphony Orchestra, Pannon Philharmonic, Yomiuri Nippon Symphony Orchestra, Tokyo Symphony Orchestra and NHK Symphony Orchestra.


    Nakamura is an alumna of the Osaka College of Music, the Opera Studio at the New National Theatre Tokyo, the Opera Studio Nederland and the Jette Parker Young Artist Programme at the Royal Opera House.

    2024-25 season / 470 words. Not to be altered without permission

Performances

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Opera repertoire

Bizet
Micaëla Carmen 


Offenbach
Antonia Les contes d'Hoffmann 


Mozart
Donna Anna Don Giovanni 


Puccini
Cio-Cio-San Madama Butterfly
Suor Angelica / Lauretta Il trittico 
Mimi / Musetta La bohème 
Magda La Rondine
Liù Turandot 


Tchaikovsky
Tatyana Eugene Onegin*


Verdi
Amelia Un ballo in maschera
Desdemona Otello
Violetta La Traviata
Leonora La forza del destino*
Leonora Il trovatore*


*in preparation

Concert repertoire

Brahms 
Requiem


Canteloube
Chants d'Auvergne 


Fauré
Requiem


Haydn
Creation 


Mahler
Symphony No.2
Symphony No.4
Angel, Symphony No.8


Mozart
Concert Arias
Exultate Jubilate
1st or 2nd soprano, Mass in C minor
Requiem
Coronation Mass 


Poulenc
Gloria 


Ravel
Shéhérazade*


Rossini
Petite messe solonnelle 
Stabat Mater


Strauss, R.
Vier letzte Lieder*


*in preparation 

Best of the cast was Eri Nakamura, whose Liù had a creamy high register, seamless control, bright agility and a great sense of dignity. She rightly earned the audience’s wildest cheers at the end of the night.

Opera

The beautifully sung and touchingly acted Liù of Eri Nakamura reminds us of how much better Puccini’s lines sound when the notes are joined together and given light and shade.

Times

...a wonderfully characterful singer – both in terms of the voice itself, but also her charming ability to step swiftly and convincingly into a role.

Gramophone

Intermusica represents Eri Nakamura worldwide, excluding Japan.

Julia Maynard
Director / Vocal & Opera
+44 20 7608 9902
jmaynard@intermusica.com

Jonathan Turnbull
Associate Artist Manager, Vocal & Opera
+44 20 7608 9907
jturnbull@intermusica.com

All artists

Chansonnier

HK Gruber

Counter-tenor

Tim Mead

Harpsichord

Richard Egarr

Piano accompanist

Roger Vignoles

Saxophone

Jess Gillam

Contralto

Avery Amereau