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Nathalie Joachim

Composer, Flute

  • Nathalie Joachim is a GRAMMY®-nominated performer and composer. The Haitian-American artist is hailed for being 'a fresh and invigorating cross-cultural voice' (The Nation). Her creative practice centers an authentic commitment to storytelling and human connectivity while advocating for social change and cultural awareness, gaining her the reputation of being 'powerful and unpretentious.' (The New York Times).

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  • Joachim is Assistant Professor of Composition at Princeton University and is regularly commissioned to write for orchestra, instrumental and vocal ensembles, dance, and interdisciplinary theater. Recent and upcoming highlights include new works for the New York Philharmonic, Carnegie Hall, Grant Park Music Festival and more. Her landmark project, Fanm d’Ayiti, an evening-length work for flute, voice, string quartet and electronics, celebrates and explores her personal Haitian heritage and received a GRAMMY® nomination for Best World Music Album. Joachim’s highly anticipated sophomore album, Ki moun ou ye - an intimate examination of ancestral connection and self - was co-released by Nonesuch Records and New Amsterdam Records in early 2024, and deemed 'one of the year’s most creatively and personally ambitious albums.' (SPIN Magazine


    Joachim is a 2024/45 Scholar-in-Residence at the Museum of Modern Art, a United States Artist Fellow, and co-founder of the critically acclaimed duo Flutronix. She is an alumnus of The Juilliard School and The New School.

    2014/25 season - 216 words. Not to be altered without permission.

Performances

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Ki moun ou ye

Ki moun ou ye is Joachim's second album, an intimate examination of ancestral connection and self released on Nonesuch Records/New Amsterdam Records (2024) and receiving two 2025 GRAMMY nominations. Weaving together voice, flute, bass, percussion and textured vocal samples to examine the richness of one’s voice — an instrument that brings with it DNA, ancestry, and identity.


Live performances of the album include - 


"Ki moun ou ye" Orchestral Suite for Nathalie Joachim (vocals/flute) & orchestra
Nathalie Joachim with Members of the Oregon Symphony, February 2025


"Ki moun ou ye" Solo set
Nathalie Joachim performs selections from her recent album "Ki moun ou ye"
National Gallery of Art, Washington DC, February 2025

Nathalie Joachim also performs live interpretations of "Ki moun ou ye" with trio or ensemble.  


PRESS
"Rather than saying that she resists the constraints of genre, it might be more accurate to say that Joachim operates with total indifference to them. On vocals, flute, and electronics, she gave a live rendition of the album in its entirety (although the songs were in a different order), with the help of an all-star band [violin, viola, flute, percussion].  Joachim’s manner of vocal expression is direct, ethereal, and folk-like… a refreshing example of Joachim’s musical agility; the music glides and shimmers effervescently, seductively, mischievously avoiding any sense of definitive closure." San Francisco Classical Voice, March 2024

"A fresh and invigorating cross-cultural voice"

The Nation

"The evening’s sublime moment of rapture, however, came in the finale of Nathalie Joachim’s Had To Be (2024), a three-movement cello concerto featuring the prodigiously talented Seth Parker Woods. I was spellbound by the entire work, with its references to New Orleans’ second line and Harlem jazz, but after the mesmeric finale, with the soloist’s incandescent ‘poetic incantations’ (in the composer’s words), I felt I was walking on air. When you don’t want a piece of new music to end, you know the composer has done something extraordinary."

Gramphone

All artists

Chansonnier

HK Gruber

Counter-tenor

Tim Mead

Harpsichord

Richard Egarr

Piano accompanist

Roger Vignoles

Saxophone

Jess Gillam

Contralto

Avery Amereau