In 24/25 Morlot takes the Barcelona Symphony to the Amsterdam Concertgebouw, Aix Easter Festival and to l’Auditorium in his home city of Lyon, on the back of their successes together last season at the Hamburg Elbphilharmonie and Stockholm Royal Concert Hall. They continue their acclaimed Ravel CD cycle and champion the best of the Catalan composers on the orchestra’s own label, and repeat their hugely popular concert on the Beach (20,000 live attendance, 30,000 online).
Guest highlights include a return to the Los Angeles Philharmonic, Boulez celebrations at Manchester Bridgewater Hall with the BBC Philharmonic, and two opera productions - Pelléas et Mélisande at Dallas Opera and Part 2 of Les Troyens at Seattle Opera, where in the past three seasons he has had great success with Rheingold, Die Walküre and Samson et Dalila.
Morlot has previously guested with the Berliner Philharmonic, Royal Concertgebouw, Czech Philharmonic, Dresden Staatskapelle, London Philharmonic, and Budapest Festival orchestras, and with many of the leading North American orchestras, notably the New York Philharmonic, Los Angeles Philharmonic, Chicago, and Philadelphia Symphony Orchestras. Morlot has a particularly strong connection with Boston, having been the Seiji Ozawa Fellowship Conductor at Tanglewood and subsequently appointed assistant conductor for the Boston Symphony. He has since conducted the orchestra in subscription concerts, at Tanglewood, and on a tour to the west coast of America. He has also appeared extensively in Asia and Australasia, notably with the Seoul Philharmonic, Yomiuri Nippon Symphony and Melbourne Symphony Orchestras. Festival appearances include the BBC Proms, Wien Modern, Edinburgh, Aspen, and Grant Park festivals.
Morlot’s tenure in Seattle formed a hugely significant period in the orchestra’s musical journey and he still returns for several weeks each season. His innovative programming encompassed not only his choice of repertoire and commissions, but theatrical productions and performances outside the traditional concert hall space. Some of these projects, including John Luther Adams’ Become Ocean, Aaron Jay Kernis’ Violin Concerto performed by James Ehnes and an exploration of Dutilleux’s music, have earned the orchestra five Grammy Awards, as well as the distinction of being named Gramophone’s 2018 Orchestra of the Year. To date Morlot has released 21 recordings with the Seattle Symphony Media label, including Messiaen’s Des Canyons aux etoiles in 2023.
Trained as a violinist, he studied conducting at the Pierre Monteux School (USA) with Charles Bruck and Michael Jinbo. He continued his education in London at the Royal Academy and then at the Royal College as recipient of the Norman del Mar Conducting Fellowship. Ludovic is Affiliate Professor at the University of Washington School of Music in Seattle and a Visiting Artist at the Colburn School in Los Angeles. He sat on the jury of the Leeds International Piano Competition (2021) and was elected a Fellow of the Royal Academy of Music in 2014 in recognition of his significant contribution to music.
Ludovic Morlot is represented by Intermusica.
2024/25 season, 598 words. Not to be altered without permission