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Adèle Charvet

Mezzo-soprano

  • With a voice praised as "velvety", "rich", and "vibrantly sensitive”, Adèle Charvet has swiftly risen to become one of the most exciting French mezzos of her generation.


    Highlights of the 2026/27 season include her role debuts as Ruggiero Alcina at the Opéra de Lille, Poppea L'incoronazione di Poppea at the Opéra National du Capitole de Toulouse, and Maddalena in Rigoletto in her house debut at the Teatro de la Maestranza, Seville. Charvet also makes her house debut at the Deutsche Oper Berlin as Cherubino Le nozze di Figaro. On the concert platform, Charvet will sing her first Nerone Agrippina in a major European tour with Les Accents, sing Berio’s Folk Songs with the SWR Symphonieorchester, Beethoven’s Missa Solemnis with the Orquesta Filarmónica de Gran Canaria, Brahms’s Alto Rhapsody and Mendelssohn’s Lobgesang with the Orquesta de Córdoba, New Years Concerts with the Real Orquesta Sinfónica de Sevilla, a Christmas Concert with the Kammerakademie Potsdam, and concerts with Le Poème Harmonique at Théâtre des Champs Élysées and Gdansk. Charvet will also bring her “Belle Époque” recital programme with pianist Florian Caroubi to the Concertgebouw, the Philharmonie de Paris, the Musée d’Orsay, and the Athénée Louis-Jouvet.

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  • In the last two seasons, Charvet returned to the Opéra Comique for Charlotte in Werther in a new production directed by Ted Huffman and conducted by Raphaël Pichon, and reprised the role for the Salzburg Festival conducted by Alain Altinoglu; made her debut at the Glyndebourne Festival as Cherubino in Le nozze di Figaro; made her role debut as the title role in Ariodante for the Opéra national du Rhin, Strasbourg; her role debut in the title role in Carmen in a new production at the Opéra royal de Versailles and her role debut as Charlotte in Werther with the Geneva Chamber Orchestra conducted by Marc Leroy-Calatayud; returned to the Opéra national du Capitole de Toulouse for the title role in Carmen; toured the title role in Dido and Aeneas with Le Poème Harmonique and Berenice in Farnace with I Gemelli to Madrid, Paris, Geneva and Oviedo; performed a Joséphine Baker programme with the Orchestre de Picardie at the Théâtre des Champs-Élysées, returning later in the season to the Théâtre des Champs-Élysées as Vendredi in a new Laurent Pelly production of Offenbach's Robinson Crusoé; gave a celebratory concert with Julien Chauvin’s Le Concert de La Loge at the Théâtre des Champs-Élysées; performed Carmen and Djamileh excerpts with Minkowski and Les Musiciens du Louvre; Dido in Dido and Aeneas with Le Poème Harmonique at Bozar; Chausson’s Poème de l'amour et de la mer with the Orquesta del Principado de Asturias; Bach’s Johannes Passion with the Orquesta Filarmónica de Gran Canaria; and Bach’s Easter Oratorio with the Cleveland Orchestra conducted by Bernard Labadie.



    Other highlights include the role of Giulietta in Zingarelli Giulietta e Romeo at the Opéra royal de Versailles conducted by Stefan Plewniak; Ascagne Les Troyens on tour with the Monteverdi Choir and the Orchestre Révolutionnaire et Romantique, with performances at the Berlioz Festival, Salzburg Festival, Versailles, Berliner Festspiele and the BBC Proms; a staged concert performance of Wozzeck at the Verbier Festival conducted by Lahav Shani; Helen in Foccroulle Le Journal d’Hélène Berr at the Opéra National du Rhin, Strasbourg; title role La Cenerentola for the Opéra national du Capitole de Toulouse; Honnegger Jeanne d’Arc au bûcher with the Berliner Philharmoniker cond. Alan Gilbert, as well as numerous international chamber projects and recitals. She has also appeared as Stephano Roméo et Juliette for the Opéra Comique, Rosina Il Barbiere di Siviglia for the Opéra national du Capitole de Toulouse and Mélisande Pélleas et Mélisande for the Opéra de Rouen.   
     
    She made her operatic stage debut and as Hänsel in Hänsel und Gretel, followed by the Polovtsian maiden in Prince Igor for Dutch National Opera. There followed a series  of house debuts at the Verbier Festival, the Royal Opera, Covent Garden as Mercédès Carmen, the Opéra national de Bordeaux as Rosina Il barbiere di Siviglia and the Opéra Comique Javotte in Olivier Py’s production of Manon conducted by Marc Minkowski.  Charvet’s artistry has captivated audiences across the world, with versatility spanning early to contemporary repertoire, encompassing vocal recitals with piano, chamber music, opera and orchestral concerts with renowned ensembles and conductors including Marc Minkowski. Raphaël Pichon,  Sir John Eliot Gardiner, Lahav Shani, Vincent Dumestre and Julien Chauvin.  
     
    Charvet recorded her debut album, Long Time Ago, featuring American and English songs with pianist  Susan Manoff, for  Alpha Classics in 2019. She is now an exclusive recording artist, with her eclectic discography exploring a rich repertoire spanning all forms and periods, from chamber music to opera. In her second solo album, Teatro Sant’Angelo, she presents world premiere recordings of arias by Vivaldi, Chelleri and Ristori, recorded with the French ensemble Le Consort. This album was awarded the Diamant d’Opéra Magazine Award, TTTT Télérama, and 5 stars from BBC Music Magazine. In August 2025, Charvet released a third album, Belle Époque, with a programme of songs by French composers with pianist Florian Caroubi. 
     
    Charvet studied at the Conservatoire à Rayonnement Régional de Paris and at the Conservatoire National Supérieur de Musique de Paris. Her accolades include the 'Yves Paternot' prize for the most outstanding musician of the Verbier Academy, the Melodie prize at the Nadia and Lili Boulanger International Competition (alongside duo partner Florian Caroubi), and the Grand Prize and four special prizes at the IVC Competition in 's-Hertogenbosch. 

    2026/27 season / 894 words. Not to be altered without permission.

Performances

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Opera repertoire

Bellini
Adele (il Pirata)


Berg
Margret (Wozzeck)


Berlioz
Ascagne (Les Troyens)
Ascanio (Benvenuto Cellini)


Bizet
Carmen
Mercédès (Carmen)


Borodin
Polovstian maiden (Prince Igor)


Debussy
Mélisande


Foccroulle
Le Journal d’Hélène Berr


Gounod
stephano (Roméo & Juliette)


Handel
Ariodante
Serse

Lalo
Sélysette (ariane et barbe bleu)

Lully
Hermione (Cadmus et Hermione)

Massenet
Charlotte (Werther)
Javotte (Manon)
Bertrade (Grisélidis)

Mozart
Cherubino (Le nozze di Figaro)
Idamante (Idomeneo)


Purcell
Dido (Dido and Aeneas)


Rossini
Rosina (il Barbiere di Siviglia)
Cenerentola

Wagner
3rd blumenmädchen (Parsifal)

Zingarelli
Giulietta (Giulietta e Romeo)

Symphonic repertoire

Bach
Magnificat
B minor mass
Easter Oratorio


Beethoven
Symphony No.9


Berlioz
Les Nuits d’Été


Chausson
Poème de l’amour et de la mer


Haydn
Stabat Mater
Nelson Mass


Schubert
Mass in G
Honnegger
Marguerite (Jeanne d’Arc au Bûcher)


Malher
Symphony No.2


Mozart
Requiem
Mass in C

Pergolesi
Stabat Mater


Respighi
Il Tramonto


Rossini
Petite Messe Solennelle


Vivaldi
Nisi dominus

"Adèle Charvet, who is also taking on the role of Charlotte here, is the ideal partner. (...) The mezzo-soprano possesses a deep sense of text, line, and color, which form the foundation of her artistry."

Première Loge Opéra, February 2025

"Adèle Charvet, who sings the title role for the first time, has everything to be a great Angelina: a mix of tears and velvet in her voice, registers as infallibly unified as her agility."

Diapason, March 2024

Intermusica represents Adèle Charvet worldwide.

Camilla Wehmeyer
Associate Director, Vocal & Opera
+44 7973 614 630
cwehmeyer@intermusica.com

Iago Campello
Artist Manager, Vocal & Opera
+44 7548 317398
icampello@intermusica.com

All artists

Contralto

Avery Amereau

Actor / Narrator

Amira Casar

Chansonnier

HK Gruber

Piano accompanist

Roger Vignoles

Saxophone

Branford Marsalis