Matthew Aucoin

Aucoin is currently Artist-In-Residence at Los Angeles Opera, a specially created position which fuses his work as composer and conductor and culminates in the world premiere of a newly-commissioned opera. Aucoin’s opera Crossing premiered at the American Repertory Theater in May 2015, directed by Diane Paulus. His Second Nature, an opera for young people, was commissioned by the Lyric Opera of Chicago and premiered in August 2015. Aucoin wrote the libretti and conducted the premieres of both operas and is currently at work on a new opera for the Metropolitan Opera / Lincoln Center Theater’s New Works program. In 2018 Aucoin was awarded a prestigious MacArthur Fellowship.

Recent works include orchestral work Evidence, commissioned by the Los Angeles Chamber Orchestra, Soft Power for the Brentano Quartet premiered in April 2018 and a song cycle Merrill Songs (set to texts by James Merrill) premiered by tenor Paul Appleby at Carnegie Hall with Aucoin as pianist, which was co-commissioned by the Wigmore Hall. Violinist Jennifer Koh commissioned and debuted Aucoin’s new solo violin work, resolve, for the New York Philharmonic Biennale and the Santa Fe Chamber Music Festival. In early 2017, Aucoin’s dramatic cantata The Orphic Moment received its European premiere at the Salzburg Landestheater, with the composer conducting.

Aucoin is a 2012 graduate of Harvard College, where he studied with the poet Jorie Graham before studying composition at The Juilliard School. Shortly before he graduated from Harvard, Aucoin was hired as the youngest Assistant Conductor in the history of the Metropolitan Opera, where he worked with Thomas Adès, James Levine, and Valery Gergiev. From 2013 to 2015, Aucoin was the Solti Conducting Apprentice at the Chicago Symphony Orchestra, where he studied with Riccardo Muti and, in 2014, made his CSO debut substituting for an indisposed Pierre Boulez. 

Aucoin went on to make orchestral conducting debuts with the Los Angeles Philharmonic; the Los Angeles Chamber Orchestra; the Rome Opera Orchestra, the Civic Orchestra of Chicago; opera productions have included Music Academy of the West (The Bartered Bride, as well as his own chamber opera, Second Nature); Teatro Petruzzelli in Bari, Italy (Le nozze di Figaro) and Juilliard Opera (Eugene Onegin). Future conducting engagements include Verdi Rigoletto and his own Crossing with LA Opera, Dr Atomic at Santa Fe Opera and a special programme with San Diego Symphony.

Performers of Aucoin’s works also include cellist Yo-Yo Ma, countertenor Anthony Roth Costanzo, Chanticleer, Brooklyn Academy of Music, Boston’s A Far Cry, Zürich Tonhalle Orchestra, violinists Jennifer Koh and Keir GoGwilt, members of the Chicago Symphony, the Spoleto Festival (Italy) and the Peabody Essex Museum where he was the museum’s Composer–in–Residence from 2013-2017. Orchestral work Evidence received its New York premiere in June 2018 with the Orchestra of St Luke's conducted by Ludovic Morlot at the Caramoor Festival.
Aucoin remains an active pianist: with his regular collaborator, violinist Keir GoGwilt, he has recently given recitals in New York, Boston, Edinburgh, Spoleto (Italy) and Toronto. Aucoin regularly performs with many notable opera singers, including Renée Fleming, Paulo Szot, Rod Gilfry, and Anthony Roth Costanzo. Aucoin has also performed as a pianist in several Chicago Symphony Orchestra chamber concerts.

An accomplished writer, Aucoin’s essays and poetry have appeared in the Yale Review, the Colorado Review, the Boston Globe and the Harvard Advocate. He has served as guest lecturer for the New York Shakespeare Society and a guest host for New York’s WQXR. Aucoin has been the subject of major profiles in the New York Times Magazine, the Wall Street Journal, the Boston Globe and the Chicago Tribune. His music has been featured on radio programs including This American Life, From the Top and Studio 360.

In 2017 Aucoin founded AMOC (American Modern Opera Company). AMOC, which Aucoin co-directs with director Zack Winokur, is an ensemble of singers, musicians, and dancers committed to creating a body of new, discipline-colliding music-theater works. Described by the New York Times as “blindingly impressive” and “preternaturally talented,” AMOC’s productions are collaborations between its core members that range from operatic stage work to creatively curated chamber events. In its first 18 months, AMOC launched an annual Run AMOC! Festival at the American Repertory Theater, held its first major teaching and performance residency at Harvard University, was Artist-in-Residence at New York’s Park Avenue Armory, performed a new version of John Adams’ El Niño arranged specially for the company at the Met Cloisters, and made appearances at the Big Ears Festival, Clark Art Institute, and Rockport Chamber Music Festival.

The works of Matthew Aucoin are published by G. Schirmer / Associated Music Publishers.

2018/19 season / 750 words. Not to be altered without permission.