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Sir Willard White

Bass-baritone

  • Among the world’s most celebrated and versatile opera singers, Sir Willard White’s remarkable career has taken him to the most prestigious opera houses and concert halls throughout the world, collaborating with conductors, directors and orchestras of the highest calibre.

    Highlights of the 2026/27 season include Melchtal in Rossini’s Guillaume Tell for Staatsoper Hamburg, Lodovico in Verdi’s Otello for Opera de Lille, Monterone in Verdi’s Rigoletto for Opera North and Antonio in Mozart’s Le Nozze di Figaro for Festival d'Aix-en-Provence. On the concert platform, Sir Willard continues his long-standing relationship with The Brodsky Quartet, performing across the UK and on tour in Spain, sings Tippet’s A Child of our Time with Goldsmiths Choral Union and appears with Classic FM Live at the Royal Albert Hall. Sir Willard’s recital plans include an appearance at Wigmore Hall in celebration of his 80th Birthday. In future seasons, Sir Willard appears with The Royal Ballet and Opera, Opera Vlaanderen & Opéra national de Paris.

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  • Last season Sir Willard made a house debut as Bartolo in Mozart’s Le Nozze di Figaro for Washington National Opera, returning to The Royal Ballet & Opera for Monterone in Verdi’s Rigoletto and the Salzburg Festival as Frere Bernard in a new production of Messiaen’s Saint Francois D’Assise.

    Other recent operatic highlights include Arkel in Debussy’s Pelléas et Mélisande at Dallas Opera, Bartolo in Le nozze di Figaro for the Bayerische Staatsoper, Porgy in Gershwin’s Porgy and Bess and the title role in Bartók’s Bluebeard’s Castle for Hungarian State Opera, Abbot in Britten’s Curlew River for the Aldeburgh Festival and on film for the BBC, creating the role of Priest in the world premiere of Hèctor Parra’s Justice and Créon in Cherubini’s Médée at the Grand Théâtre de Genève, il Re in Verdi’s Aida for the Royal Danish Opera, Schigolch in Berg’s Lulu for Teatro dell'Opera di Roma, Dikoj in Janáček’s Kát'a Kabanová for Opéra National de Lyon, Luther and Crespel in Offenbach’s Les contes d'Hoffmann at La Monnaie, Seneca in Monteverdi’s L'incoronazione di Poppea for the Wiener Staatsoper & Gorjantchikov in Janáček’s From the House of the Dead at the Opéra National de Paris. Since making his operatic debut with the New York City Opera in 1974, he has sung regularly at The Royal Ballet & Opera, English National Opera, the Metropolitan Opera New York, the opera houses of Munich, Amsterdam, Berlin, Brussels, Geneva, Hamburg, Los Angeles, Madrid, Paris, San Francisco and at the Glyndebourne, Aix-en-Provence and Salzburg festivals.

    On the concert platform, Sir Willard sings regularly with the world’s major orchestras, including the London Symphony, London Philharmonic, BBC Symphony, the Hallé, Royal Philharmonic, Royal Concertgebouw, La Scala, Boston Symphony, New York Philharmonic, Los Angeles Philharmonic, Cleveland orchestras and the Berliner Philharmoniker. Sir Willard has appeared as a soloist many times at the BBC Proms, including the First and Last Night of the Proms and at the Proms in the Park. He appeared at the 80th Anniversary of VE Day Concert at Horse Guards Parade, broadcast live on the BBC.

    Recent highlights include Méphistophélès in Berlioz’s La Damnation de Faust with the Orchestre Symphonique de Montréal, A Child of Our Time with the Royal Northern Sinfonia cond. Sousa, Old Convict in Shostakovich’s Lady Macbeth of Mtsensk with the BBC Philharmonic cond. John Storgårds for the BBC Proms and a tour of China with the Brodsky Quartet. Elsewhere Sir Willard has sung Walton’s Belshazzar’s Feast at the Philharmonie de Paris, Tiresias and Messenger in Stravinsky’s Oedipus Rex with Esa-Pekka Salonen and the Philharmonia Orchestra at the Royal Festival Hall, Méphistophélès in La Damnation de Faust with the RTVE Symphony Orchestra, the Cleveland Orchestra and at the Verbier Festival with Charles Dutoit, Golaud in Pélleas et Mélisande with the Chicago Symphony Orchestra and the Los Angeles Philharmonic, the title role in Bluebeard’s Castle with the Royal Philharmonic Orchestra at the Royal Festival Hall and the Los Angeles Philharmonic, conducted by Esa-Pekka Salonen, Marke in Wagner’s Tristan und Isolde Act II under Gergiev, and concert performances as Arkel in Pélleas et Mélisande, Porgy in Porgy and Bess and Parson / Badger in Janáček’s The Cunning Little Vixen with the Berliner Philharmoniker and Sir Simon Rattle.

    Sir Willard was born in Jamaica, where he commenced his musical training at the Jamaican School of Music and then went on to the Juilliard School in New York. In 1989, Sir Willard performed the role of Othello in Trevor Nunn’s production for the Royal Shakespeare Company, alongside Sir Ian McKellen as Iago and Imogen Stubbs as Desdemona. Sir Willard holds the Order of Merit of Jamaica, was awarded the CBE in 1995 and was knighted in the Queen’s Birthday Honours in 2004. He was named Chevalier de la Legion D'honneur in France in 2023 for his contributions to opera, both on the French and international stages across a distinguished fifty-year career.

    2026/27 season / 804 words. Not to be altered without permission.

Performances

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Concert repertoire

Adès
America


Beethoven
Symphony No.9


Gould
American Salute (When Johnny comes marching home)


Haydn
The Creation


Mendelssohn
Elijah

Opera repertoire

Adams
Joseph El Niño


Bartók
Bluebeard Bluebeard’s Castle


Beethoven
Don Fernando/Rocco Fidelio


Bellini
Giorgio I Puritani
Oroveso Norma


Berlioz
Pope Clement VII Benvenuto Cellini
Méphistophélès La Damnation de Faust
Herod L’Enfance du Christ


Bernstein
Workman 1 On the Town


Britten
Bottom A Midsummer Night’s Dream


Cherubini
Creon Medea


Debussy
Arkel Pelleas et Mélisande


Dove
Homeless Person Death of a Princess


Dukas
Bluebeard Ariane et Barbe-Bleue


Dvorak
Wassermann (Vodnik) Rusalka


Gershwin
Porgy Porgy and Bess


Gluck
Hercules Alceste


Gounod
Mephistopheles Faust


Handel
Polyphemus Acis and Galatea
Somnus Semele


Henze
Title role El Cimarroni


Janacek
Forester Cunning Little Vixen
Gorianchikov From the House of the Dead
Prus The Makropoulos Case


Joplin
Ned Treemonisha


Korngold
Porter Das Wunder der Heliane


Ligeti
Nekrotzar Le Grand Macabre


Martinu
Fotis The Greek Passion


Messiaen
St. Francis Saint Françoise d’Assise


Monteverdi
Seneca l’Incoronazione di Poppea


Mozart
Osmin Die Entführung aus dem Serail
Speaker/Sarastro Die Zauberflöte
Commendatore Don Giovanni
Bartolo Le nozze di Figaro


Mussorgsky
Boris/Pimen Boris Godunov
Khovansky Kovanshchina


Offenbach
4 Villains Les Contes d‘Hoffmann


Prokofiev
Title role Ivan the Terrible
Tchélio The Love for Three Oranges
Kutuzow War and Peace


Puccini
Timur Turandot


Rimsky-Korsakov
Title role Ivan the Terrible


Rossini
Alidoro La Cenerentola
Mustapha L’Italiana in Algeri
Selim Turco in Italia


Schoenberg
Moses Moses und Aron


Shostakovich
Boris Lady Macbeth of Mtsensk


Strauss
Jokanaan Salome


Stravinsky
Nick Shadow The Rake’s Progress
Tiresias / Creon Oedipus Rex


Tchaikovsky
Gremin Eugene Onegin
Ibn-Hakia Iolanta


Verdi
King/Ramfis Aida
Philip Don Carlos
Falstaff Falstaff
Ferrando Il Trovatore
Maximilian I Masnadieri
Banquo Macbeth
Zaccaria Nabucco
Sparafucile Rigoletto


Wagner
Wotan/Alberich Das Rheingold
Dutchman / Daland Der Fliegende Holländer
Wotan /Hunding Die Walküre
Klingsor Parsifal
Landgraf Tannhäuser
King Marke Tristan und Isolde
Hagen Götterdämmerung


Weill
Trinity Moses The Rise & Fall of the City of Mahagonny


Widmann
Priesterkönig/Tod Babylon


Zemlinsky
Simon Eine Florestinische Tragödie

Jamaican-born bass Willard White … provide dramatically formidable and vocally flawless performances as the aging King Arkel

Onstagentx.com, November 2024

…The cast could hardly have been stronger. Willard White was the authoritative Abbot…

The Guardian , June 2024

We are pleased to find in this rarely performed work Sir Willard White as narrator, with a powerful bass baritone voice whose diction, authority, charisma, magnificent projection and depth of timbre, unaltered by the years, we savor.

News.dayFR, June 2023

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Intermusica represents Sir Willard White worldwide

Natasha Worsley
Associate Director, Vocal & Opera
+44 7870 979 794
nworsley@intermusica.com

Billie Allin
Assistant Artist Manager, Vocal & Opera
+44 7548 312 979
ballin@intermusica.com

All artists

Contralto

Avery Amereau

Actor / Narrator

Amira Casar

Chansonnier

HK Gruber

Piano accompanist

Roger Vignoles

Saxophone

Branford Marsalis