Concert repertoire
ADAMS
The Gospel According To The Other Mary
BACH
St Matthew Passion
St John Passion
Christmas Oratorio
Mass In B Minor
BEETHOVEN
Symphony No. 9
BERLIOZ
La Damnation de Faust
Romeo Et Juliette
Grand Messe De Morts
Requiem
BRITTEN
Serenade For Tenor, Horn & Strings
St Nicholas
Les Illumination
War Requiem
Songs Of The High Hills
ELGAR
Dream Of Gerontius
FINZI
Intimations Of Immortality
GOUNOD
Messe Solennelle
HANDEL
Messiah
HAYDN
Nelson Mass
Creation
JANÁCEK
Diary Of One Who Disappeared
MAHLER
8th Symphony
MENDELSSOHN
Elijah
MOZART
Requiem
Mass in C Minor
PUCCINI
Messa di Gloria
RACHMANIOV
The Bells
SCHOENBERG
Gurrelieder (Waldemar)
TIPPETT
Child Of Our Time
VERDI
Requiem
WEILL
Fall Of The City Of Mahagonny
Opera repertoire
ANDERSON
The Thebans (Creon)
BENJAMIN
Lessons In Love And Violence (Mortimer)
BERG
Wozzeck (Hauptmann)
Lulu (Alwa)
BERLIOZ
Damnation de Faust (Faust)
BOITO
Mefistofele (Nereo, Wagner)
BRITTEN
Albert Herring (Mr Upfold)
Rape Of Lucretia (Male Chorus)
Gloriana (Master Of Ceremonies)
Billy Budd (Vere)
Peter Grimes (Bob Boles)
DALLAPICCOLA
Il Prigoniero (Gaoler/Inquisitor)
DONIZETTI
Belisario (Eutropio)
Lucia Di Lammermoor (Normanno)
GIORDANO
Andrea Chenier (Abbé)
HUMPERDINCK
Hänsel Und Gretel (Witch)
JANÁCEK
Kat’a Kabanovâ (Tikhon)
Makropulos Case (Gregor/Vitek)
Cunning Little Vixen (Schoolmaster)
Jenufa (Laca)
House Of The Dead (Shapkin)
The Excursions of Mr Br ouček (MatějBrouček)
LIGETI
Le Grand Macabre (Piet The Pot)
MARTINU
Julietta (Michel)
MONTEVERDI
L’incoronazione Di Poppea (Arnalta)
MOZART
Idomeneo (Idomeneo, Arbace)
La clemenza di Tito (Tito)
Le nozze di Figaro (Curzio, Basilio)
Die Zauberflöte (Monastatos)
Die Entführung (Pedrillo)
MUSSORGSKY
Boris Godunov (Shuisky, Simpleton)
Khovanshchina (Golitsyn)
NONO
Al gran sole carico d’amore (Thiers)
PROKOFIEV
Betrothal In A Monastery (Brother Elusaf)
PUCCINI
Madama Butterfly (Goro)
Manon Lescaut (Il Maestro Di Ballo)
Turandot (Pong, Pang)
RASKATOV
A Dog’s Heart (Sharikov)
RIMSKY-KORSAKOV
The Tsar’s Bride (Bomelius)
SCHREKER
Die Gezeichneten (Alviano)
SHOSTAKOVICH
Lady Macbeth of Mtsensk (Zinovy)
STRAUSS
Ariadne auf Naxos (Bacchus)
Salome (Herod)
Der Rosenkavalier (Valzacchi)
Elektra (Aegisthus)
STRAVINSKY
The Rake’s Progress (Sellem)
TCHAIKOVSKY
Eugene Onegin (Monsieur Triquet)
Pique Dame (Hermann/Tchekalinsky)
Iolanta (Vaudemont)
TURNAGE
Anna Nicole (Larry King)
VERDI
La Traviata (Gastone)
Falstaff (Bardolfo/Caius)
WAGNER
Tristan und Isolde (Der Hirt)
Der Fliegende Holländer (Steuermann)
Tannhäuser (Heinrich Der Schreiber)
Siegfried (Mime)
WEILL
Aufstieg und Fall der Stadt Mahagonny (Fatty)
ZIMMERMANN
Die Soldaten (Desportes)
Soline Heurtebise, Olyrix, 25 October 2023"Tenor Peter Hoare also shines, with a very lively and theatrical interpretation of the blacksmith. Mime's cries of despair sound loud and poignant, testifying to a powerfully displayed vocal mastery."
Stewart Crowe, Amazon, 6 October 2023"The Mime of Peter Hoare is truly excellent-sung throughout with minimum “sprechgesang”, interpreted brilliantly as the nasty, fearful and vengeance bent character the work suggests, and if at times it is a little over the top in exaggerated yelps and squawks it can be forgiven as this apparently worked very well in the concert setting and was very well received in the reviews immediately following. It seems to be the custom now to eliminate the humour-such as it was- Wagner intended in the interchanges between Mime and Siegfried, though some does creep back in to the scene between Mime and the Wanderer. I find it to be a superb performance worthy of rank alongside Stolze, Herold Kraus, Heinz Zednik and Graham Clark."