Opera repertoire
Bizet
Micaëla Carmen
Offenbach
Antonia Les contes d'Hoffmann
Mozart
Donna Anna Don Giovanni
Puccini
Cio-Cio-San Madama Butterfly
Suor Angelica / Lauretta Il trittico
Mimi / Musetta La bohème
Magda La Rondine
Liù Turandot
Tchaikovsky
Tatyana Eugene Onegin*
Verdi
Amelia Un ballo in maschera
Desdemona Otello
Violetta La Traviata
Leonora La forza del destino*
Leonora Il trovatore*
*in preparation
Concert repertoire
Brahms
Requiem
Canteloube
Chants d'Auvergne
Fauré
Requiem
Haydn
Creation
Mahler
Symphony No.2
Symphony No.4
Angel, Symphony No.8
Mozart
Concert Arias
Exultate Jubilate
1st or 2nd soprano, Mass in C minor
Requiem
Coronation Mass
Poulenc
Gloria
Ravel
Shéhérazade*
Rossini
Petite messe solonnelle
Stabat Mater
Strauss, R.
Vier letzte Lieder*
*in preparation
OperaBest of the cast was Eri Nakamura, whose Liù had a creamy high register, seamless control, bright agility and a great sense of dignity. She rightly earned the audience’s wildest cheers at the end of the night.
TimesThe beautifully sung and touchingly acted Liù of Eri Nakamura reminds us of how much better Puccini’s lines sound when the notes are joined together and given light and shade.
Gramophone...a wonderfully characterful singer – both in terms of the voice itself, but also her charming ability to step swiftly and convincingly into a role.