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Recent highlights include Nannetta in Verdi’s Falstaff for the Teatro La Fenice in Venice and the Teatro Carlo Felice di Genova, Amina in Bellini’s La Sonnambula for Gran Teatre del Liceu Barcelona, Gilda in Verdi's Rigoletto for the Teatro Verdi di Salerno, Adina in Donizetti’s L’elisir d’amore for the Bayerische Staatsoper and the Festival Donizetti in Bergamo, Giulietta in Bellini’s I Capuleti e i Montecchi in Trieste, and Marie in Donizetti’s La fille du régiment for Teatro Regio Torino. On the concert platform, she performed Verdi’s Quattro pezzi sacri in Parma and Florence under the baton of Daniele Gatti. At the Teatro alla Scala, she sang Mozart’s Vesperae solennes de confessore and Haydn’s Paukenmesse conducted by Pablo Heras-Casado. She has also worked with conductors like Daniel Oren and Myung Whun Chung.
In 2016 she appeared on the RAI UNO television programme Prodigi: La musica è vita. In 2018 she won the ASLICO Competition (Emerging Artists Category) as well as the Audience Prize, and was subsequently selected for the Accademia del Teatro alla Scala in Milan (2019–2020). During her time at the Accademia, she made her debut as Hermione in Strauss’s Die ägyptische Helena. She returned to Teatro alla Scala for several roles, appearing as Barbarina in Mozart’s Le nozze di Figaro, Crobyle in Massenet’s Thaïs, Madame Jouvenot in Cilea’s Adriana Lecouvreur, and Najade in Strauss’s Ariadne auf Naxos.
Sala's discography includes L'Elisir d'Amore (Dynamic, 2022) and Lucie de Lammermoor (Naxos, 2025) recorded live from the Donizetti Festival Bergamo.
2025/26 season - 383 words. Not to be altered without permission.